Thursday, 29 November 2012

Ready Steady Go! Cathy McGowan Raves about Barbara Hulanicki (1964)



A charming article, written by Ready Steady Go presenter and 'Queen of the Mods' Cathy McGowan for RAVE magazine in November 1964, enthusing about the fledgling designs of Barbara Hulanicki at a very early stage in her Biba career, this piece was published less than two months after the opening of the first Biba shop in Abingdon Road.  It's part of a fourteen page feature (six of which are made up of poster style photographs) called 'Cathy's Clan - Are you with them?... They're the new Jet Set, today's Fun People... and the Ready Steady Girl knows them all.'  And she certainly did! Having made the transition from secretarial work in the fashion department at Woman's Own Magazine to co-presenting Britain's premier weekly music TV show while still in her teens after she had been chosen from among 600 other applicants for the position, she suddenly found herself propelled to fame and became a key component in the emerging British pop and fashion scene.  The show beamed into every household between 6-7pm on Friday nights under the declaration 'The weekend starts here!' and as its youthful co-host, she personified the new-profile teen of the decade - a genuine music fan, with an impeccable flair for fashion and an informal presenting style which was a like breath of fresh air compared to the standard method.


                                                             Cover girl Cathy McGowan (1965)

This was Cathy's second feature for RAVE, having only recently joined them as a contributor in the previous october issue. The pages are full of the latest insider pop gossip, musings about what's 'in' versus what's 'out', her style heroes, and the clubs that she and the new jet set frequent, such as The Scene, Beat City and the 51 Club, but the definite favourite at this point in time seems to be the Ad Lib in Soho. She also chats about her most recent designer discoveries, as presenter of RSG it was a firm rule that she wore a different outfit on the show every week (she was given a clothing allowance to cover this), and usually went shopping for a new look on saturday mornings with her sister Frankie. Apparently, a regular port of call was always Woollands in Knightsbridge, where she had purchased her first ever RSG outfit, but reading between the lines, I'm guessing that overenthusiastic sales girls, a dozen or more approaching her at once each time since with 'just the right little number that they had been keeping especially for her' may have taken the spontaneity out of the shopping experience there and sent her in other directions....namely, in the direction of Foale & Tuffin and Barbara Hulanicki. She was introduced to Marion Foale and Sally Tuffin through a friend in December 1963 and soon became a regular client at their Soho showroom, viewing all their new work several weeks before it went into production and the Biba designer was first brought to her attention through her sister Frankie, via a double page spread in Honey Magazine which had featured several of Barbara's designs, they included a mix and match printed cotton blazer, skirt and trousers along with a Winnie-the-Pooh hat and blouse, this was the summer of '64 approximately four months before Biba had made the changeover from fully fledged mail order business to bricks and mortar shop.     
                                                                             
Cilla Black & Cathy McGowan helping with the move from Biba in Abingdon Road to the new Biba premises in Church Street (1966).


Upon meeting, the pair struck up an immediate friendship, and Cathy was soon to be seen regularly wearing Biba designs on RSG. I'd love to track down a photograph of the very first Biba dress that she wore. I have most of the Ready Steady Go shows but they're all on VHS and long since stored away, but as this was june 1964 i've narrowed it down to the following episodes, it's either Season 1, Episode 45 which was aired on June 5th (Adam Faith & The Fortunes) - Season 1, Episode 46 which was aired on June 12th (Dusty Springfield, Dave Clark Five) - Season 1, Episode 47, June 19th (The Animals, Davie Jones and the King Bees) or Season 1, Episode 48, June 26th (The Rolling Stones,The Merseybeats). RSG ceased broadcasting in december 1966 after a three year run, and although Cathy McGowan's career in television was relatively short lived, there is no doubt that she was pivotal in translating current fashion trends to the masses.  According to Revolt into Style - George Melly's account of the Pop Arts in the 50s and 60s, based on his own experience as a touring musician, he notes that prior to the arrival of RSG, fashions and other trends could take an incredibly long time to spread thoughout the country, with even the larger cities such as Manchester and Liverpool flagging at least six months behind the capital. However, the weekly transmission of the new pop show changed all that because it plugged directly into the centre of the latest scene and immediately transmitted the information to the entire teenage population of the British Isles all at once. Although an ardent admirer of all aspects of the show, which by his own admission he never missed if he could help it, inspite of being middle-aged at the time that it was on air, he didn't quite realise just how vital her presence was to it's success!  But he eventually came to the conclusion (upon reflection after the show's demise) that Cathy McGowan was RSG!  In his final analysis, he stated that she was -  The bridge between Pop and its audience, her clothes, her jolie-laide sex-appeal, totally transformed the girls of Britain. She was the prototype dolly. She destroyed the class basis of fashion, gesture and speech. 'Smashin,' she said. (George Melly, Revolt into Style, p. 189).



          


                         CLAN CLOTHES FOR YOU!

Barbara Hulanicki's designs are really crisp! But Cilla and I agree, she's a problem. Why? Because she's so good we'd like to keep her to ourselves - our "secret" dressmaker. On the other hand, she deserves to be wider known. We just have to tell people about her. Like Cilla, I introduced Barbara to Elkie Brooks at the Ad Lib. It was just before Elkie was to go to New York with The Animals. She wasn't happy with her clothes and Barbara promised to design some specially for the trip. They were so super I asked her if I could show them to Rave readers. And here they are! Elkie's wearing them. Barbara is Britain's top fashion artist, so I was delighted when she agreed to do the sketches herself. Designing such great clothes is a fairly new development for her. Now she's taken the plunge, gone into manufacturing and opened her own little boutique in Kensington. Barbara is making copies of Elkie's clothes, so now you can wear them, too. And they're ridiculously cheap now they're in production.




Left: For those cool Clan parties, simplicity is the style. Like this long dress in black and white pin dot jerseyland at £3 3s. Sizes 8-14. Looks great!  Centre: Still on easy-on-eye simplicity, this black crepe tube dress with full-length flared sleeves and beach bobble turning at neck and cuffs takes a lot of beating. Cost: £3 3s. Sizes 8-16.  Right: Always get your man in one of these two-piece suits; patterned lace or white rib (far right), with matching shoes by Saxone. Suit sizes 8-14 at £5 5s. For that ice-cool Clan look top the suit off with a matching hat: £1 1s.


Left: How's this for way-out-in-front Clan-girl trendsetters?  Elkie's sophisticated but casual in this dark-coloured print culotte, priced at £4 4s. Matching low-heeled Saxone shoes are essential to get the smooth girly look.  Centre: Ideal for slim Clan-girls; this delicate "Cathy" smock dress priced at £3 3s. in navy and white dot jerseyland with white pique collar and cuffs. The soft hat costs £1 1s. 
Top Right: Your man will envy this "Carnaby" shirt on a casual date. In black or white crepe, it costs £2 2s. Wear it with 5s pearl links (below).   Bottom Right: Clan-wear accessories; a five ft-long scarf and matching hat in black-white check. Hat: £1 1s.  Scarf: 19s 6d.




                                                       PHOTO CREDITS & LINKS
All images & original text scanned by Sweet Jane from the following publications, Rave and Hit Parade, issue No.10, November 1964, Ready Steady Go! book published by TV Publications Ltd. 1965 and From A to Biba by Barbara Hulanicki (1983). Rave photographs by P. L. James, illustrations by Barbara Hulanicki. Further information about Woollands  21 Shop can be found in one of my previous posts here, and finally Generation X are in love with Cathy McGowan here.

      

Monday, 26 November 2012

The Biggy Twiggy Super Poster 1967.






                                                              PHOTO CREDIT

                             Image scanned by Sweet Jane from Seventeen Magazine July 1967

Wednesday, 21 November 2012

Vintage 60s Advert: American Girl Shoes 1967

                                 




                                         THE AMERICAN GIRL SHOE
Dude cubes! City-slicked flats. Block-busting little heels. Bounding about on nice-cube toes. Some big with the buckle bit. Others take the button whole. One razzles tassels. Another bow-ties bows. All in more colors than money. $8 - $11 at stores who dude-it before anyone else!



                                                           
 PHOTO CREDITS
              Image and original text scanned by Sweet Jane from Seventeen Magazine September 1967.

Tuesday, 20 November 2012

Color Is For Everyone! (1968).



A gorgeous, full colour, two page illustration, measuring 20½" x 13¼" originally published in Eye Magazine, 1968. (Click image for larger view.)




















            PARDON ME YOU'RE STANDING ON MY YELLOWFOOT

OUCH, my orange foot, maroon, blue foot, foot shod in leather, suede, kid. Oh, my foot in shrieking color. My masculine or feminine foot. Color is for everyone.

From left to right: Cannes racing sneaker; Keds Uni-Royal, $5.95. Leather Edwardian Pump; Perugia, $40. Patent leather granny oxford; Sbicca, $16. Suede loafer; Renegades, $19. Suede and leather boot; London Character, $20. Thirties platform-soled shoe; Dan Berk, $32. Slipper with high vamp, new higher heel; Evelyn Schless, $27.


                                                                  IMAGE CREDIT
                       Image and original text scanned by Sweet Jane from Eye Magazine April 1968.

Monday, 19 November 2012

Vintage 60s Advert: Join the Cola dropouts (1968)




Cola was never like this. You don't just drink Wink. You feel it. A million liquid diamonds turn on all at once. A tintinnabulating* tingle wipes out your thirst. And your taste will tell your mind...Wink is where it's at.

*Definition of Tintinnabulation  1: The ringing or sounding of bells  2: A jingling or tinkling sound as if of bells.  First known use: 1831



                                                          
                                                                  PHOTO CREDITS
                               (Image scanned by Sweet Jane from EYE Magazine April 1968)


Saturday, 17 November 2012

Vintage 60s Advert: Choose your new face at Selfridges (1969)



                                     Choose your new face at Selfridges
The biggest cosmetics department in the country. And the best. And it isn't even confusing. To start with you'll find it without even looking. Right in the centre of Selfridges Ground Floor. Then you'll see it's divided into separate cosmetic houses. With top consultants from Elizabeth Arden, Harriet Hubbard Ayer, Orlane, Revlon, Helena Rubinstein and everybody else who's anybody. And they nearly always choose Selfridges to launch their new products. And hold their special promotions. And give away their free gifts. So if it's a new face you want. Come to Selfridges. And if you want a new hairstyle to match try one of the wigs on the Ground Floor east. Or the new Hairdressing and Beauty salons on the Third Floor will do wonders with your own hair. A new body to go with it all? Take a Sauna or experience a Massage. Also in the Third Floor salons. Give us a chance and we'll make a new woman of you.


                                                                  IMAGE  CREDITS
Image and original text scanned from The Sixties in Queen published by Ebury Press, advert first published in Queen Magazine 1969.

Saturday, 10 November 2012

The Colourful World of John Lennon (1968)



























                                                      

                                                                           IMAGE  CREDIT
                           All images scanned by Sweet Jane from RAVE  Magazine August 1968.

Thursday, 8 November 2012

Vintage Illustration: Mary Quant.



























    Three early Quant designs: 'Pinafore Pleats' (1958), 'Peachy' (1960) and 'Rex Harrison' (1960).




                                                              
                                                               IMAGE CREDIT
Image scanned by Sweet Jane from Fashion In The 60s by Barbara Bernard published by Academy/St. Martin's Press.

Monday, 5 November 2012

THE GLIMMER LOOK (1967)


                                                 
Jewels, twentieth-century style: four glimmering striped skimmers! Glimmer-green T, above, of Arnel and Celanese nylon knit (Winkler) striped and belted in hot pink. By Kandy Kaye Jr. Petites; about $18. Hattie Carnegie earrings.
                                           


Three neon-striped shinies to seize a discotheque spotlight. Bared-away chevron stripes, orange on black, about $25. Maison de Fou earrings, Mr Wepin, Capezio shiny shoes.  Shiny bars of hot pink and black, circled and bowed by more of the same, about $30. Maison de Fou earrings, Hattie Carnegie ring, VanEli shoes.  Emerald and black chevron stripes for a tent swung from a high collar, about $25. Tacoa earrings, Piccolino shoes. All three of Wales shiny acetate, by Norman Sacks. Stockings by Christian Dior.

                                                                 PHOTO CREDITS
All images and original text scanned by Sweet Jane from Seventeen magazine September 1967, Photographer: Carmen Schiavone, Hairdos by Magrit of Elizabeth Arden.

Sunday, 4 November 2012

Emmanuelle Khanh for Paraphernalia 1966


The dress that disappears strip by strip...
An easy do-it-yourself design is the dress that is literally a snap to do. It is made of strips of pliable leather held together with metal grip fasteners. Beginning at the hemline, a girl can remove a layer to get a mini-skirt length (Top), take off a circle at the waistline to expose her midriff (Middle) and end up with a bare-minimal two part outfit (Bottom). The dress is designed by Emmanuelle Khanh of Paris for Paraphernalia. It costs $90.





                                                                     PHOTO CREDITS

                  All images and original text scanned by Sweet Jane from LIFE Magazine September 1966.

Saturday, 3 November 2012

Vintage 60s Illustration: "Where's Teddy?" Chuck Wilkinson 1969






                                                
                                                                   
                                                          IMAGE CREDIT
Image scanned by Sweet Jane from Lifestyle Illustration of the 60s published by Fiell. llustration by Chuck Wilkinson for Woman's Mirror 1969. Discover more about the artist & view other examples of his work here. And you'll find the CW Collection Facebook page here.

Thursday, 1 November 2012

DRESSES BY TWIGGY OF LONDON 1967

Pampered to pieces: isn't that the life you dream of ? Now you can pick up these pieces and settle for the look (while the dream, like Twiggy's, stays intact).

The Twig feels pampered to pieces in cuddlesome, easy-living wools - all her own selections. Powdery pales, above, melt into a crusader coat-dress of tiny herringbone (with rabbit's hair added). When more coverage is called for, the cowled pink yoke becomes a full-fledged hood ($35).



Runaway ribbon, with embroidery for company - finds it's way up and down a zip-it coatdress with raglan sleeves and welted pockets, in gaberdine ($40).



                British 'ardware, above, studs coaty chinchilla in a queen's-greenery shade, ($25).


                                                                PHOTO CREDITS
Images and original text scanned by Sweet Jane from Seventeen Magazine September 1967, all three dresses by Twiggy of London, photographer: Joseph Santoro.